Stella adler studio of acting archive#
The archive contains a rich correspondence between Adler and Clurman that documents their relationship from the 1930s though the 1950s. In 1931 Adler was drawn into the Group Theatre by Clurman, whom she married in 1943. “It is my hope that the public, including teachers and students of acting, will readily utilize this collection.”Īn accomplished actress at an early age, Adler joined the American Laboratory Theatre of Russian actor and teacher Richard Boleslavski in the mid-1920s.
“I’m very pleased that not only my mother’s work, but also a part of the history of American Yiddish Theater, will reside in a great archive,” said Ellen Adler, daughter of Stella Adler. “From rare material dealing with Adler’s parents-who occupied a preeminent position in the New York Yiddish Theater-to Adler’s brilliant and important teaching notes and materials, this archive is a significant acquisition for the Ransom Center.” “The Adler archive is a deep and rich source for the study of 20th-century American theater,” said Thomas F. Also included are materials related to Stella Adler’s marriage to director, actor and writer Harold Clurman, including Clurman’s works as a theatre critic.
The Adler archive is a rich trove of correspondence, manuscripts, typescripts, video and audio tapes, photographs and other materials that trace and define Adler’s career, beginning with her start in the New York Yiddish Theater in 1906, where as a child she acted alongside her parents, Jacob and Sara Adler. This publicity photograph was probably taken in 1937, the year Stella’s first film “Love On Toast” was released.
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